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May 26, 2012
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La Ciambella Porcelain Art Ashtray by Alessandro Guerriero
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La Ciambella Porcelain Art Ashtray by Alessandro Guerriero

Price: $36.00
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La ciambella porcelain art ashtray by Alessandro Guerriero for Ritzenhoff

The La Ciambella line of porcelain ashtrays feature artwork by artists from all over the world.  The artist's name is printed discreetly on each ashtray.

The ashtray, the smaller of the two sizes offered by Ritzenhoff.

  • Quality porcelain dual rest ashtray
  • Measures 5.5" square and 1" tall
  • Weighs 10 oz
  • Base is covered to protect the ashtray and your furniture
  • Packaged in a gift box with product brochure 
Marked 'Alessandro Guerriero Ritzenhoff' in the lower right corner of the well.  New and in stock!
Alessandro Guerriero established Atelier Alchimia for of the evolution of Italian avant-guard design in the 1970s... (see more about the artist below the images).
Click on images to enlarge, use your back arrow to return to this page.

cigar-art-ashtray by alessandro guerriero Ritzenhoff-porcelain-ashtray felt-covered-base

 Alessandro Guerriero
  Alessandro Guerriero
 
Born 1943. Works as an architect and designer in Milan.
 
Alchimia is the major element in Alessandro Guerriero’s biography. This projekt was founded in 1976 by Guerriero and his sister, Adriana. They were joined later by Alessandro Mendini and Girogrio Gregori. The international importance of Alchimia is documented in international projects and exhibitions, such as at the Biennale in Venice, the documenta in Kassel, the Centre Pompidou in Paris and the Milan Trade Fair as well as in countless publications. You can learn something about the founders of Alchimia by looking at their work. Apart from this, there is very little information – for example photographs or biographical material – available. Guerriero believes that his drawings are sufficient documentation. They are part of a program in which the designers at Alchimia have rediscovered the colorful ›soul‹ of design in a gray, apocalyptic world. In the creative kitchen that is Alchimia, fantasy, diversity and the inexhaustible fund of human culture are combined and re-combined like pieces of glass in a kaleidoscope. Guerriero’s glass in the collection 1994 is a mosaic of form and color. His limited glass combines these elements into a self-portrait, about which Guerriero, who is never lost for a joke, asks, “Can you find Alchimia’s smile?”


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